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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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I AM A NEW WOMAN series
I AM A NEW WOMAN series
I AM A NEW WOMAN series

I AM A NEW WOMAN series, 2024

Alison Alder
Portrait, screen prints on paper

Purchased with donor funds 2024

Charlotte Dark, 2009 by Michael Miller

Charlotte Dark, 2009

by Michael Miller
Image
Charlotte 11.005479, 2015 by Michael Miller

Charlotte 11.005479, 2015

by Michael Miller
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Untitled, 2016 by Emma Phillips

Untitled, 2016

by Emma Phillips
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Nina and Paul, 2008 by Emma Thomson

Nina and Paul, 2008

by Emma Thomson
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Transition: Nikki & Nick, 2011 by Emma Phillips

Transition: Nikki & Nick, 2011

by Emma Phillips
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Latai Taumoepeau and Justin Shoulder, 2014, printed, augmented 2023 from the series No Human Being Is Illegal (in all our glory) 2014–18 Deborah Kelly

A stitch in time: Participating in portraiture

About Face article

Author and embroidery enthusiast Emma Batchelor shares her experience of joining a sewing circle with Portrait23: Identity artist Deborah Kelly.
Australian Dance Party and Catapult Dance performing Connecting Stories: Innovations at the National Portrait Gallery, 2022 Lorna Sim

Let’s dance

Magazine article by Emma Batchelor, 2022

Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.
Gallery One, September 2024

Conversation pieces

Magazine article by Dr Emma Kindred, 2025

Curator Emma Kindred shares a glimpse of the creative process behind her selection of works for the National Portrait Gallery’s salon hang.
Miss Frances Samuel

The art of dress

Magazine article by Dr Emma Kindred, 2023

Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Keenan, 2021 Emma Pegrum

Keenan

Emma Pegrum
Image
Read the Room, 2023 Emma Armstrong-Porter

Read the Room

Emma Armstrong-Porter
Image
Sisters or Friends, 2022 Emma Armstrong-Porter

Sisters or Friends

Emma Armstrong-Porter
Image
Emma Tear Tack
Emma Tear Tack
Emma Tear Tack

Emma Tear Tack, 2017

Pamela See
Portrait, papercut silhouette drawing

Purchased 2019

I’ll miss you copying things, 2018 Joan Ross

When birds no longer sing

Magazine article by Dr Emma Kindred, 2024

Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Ruby (left view), 2022 Shea Kirk

Ruby (left view)

Shea Kirk
Image
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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