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Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.

Curator Emma Kindred shares a glimpse of the creative process behind her selection of works for the National Portrait Gallery’s salon hang.

Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.

Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.

Emma Kindred and Isobel Parker Philip tease out the uncanny parallels between artists John Brack and Noel McKenna.

Isobel Parker Philip and Emma Kindred delve into Emily Hunt’s embellished marionettes and intricate etchings which layer history, memory and magic.

Emma Kindred considers the artistic lineage and deep Ancestral connection between Vincent Namatjira and his great-grandfather Albert Namatjira.

Glynis Traill-Nash explores a new Romance Was Born commission, Emma Kindred looks at Vincent Namatjira, and Rebecca Blake profiles NPPP finalist Gerwyn Davies.

Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.

This issue features Tina Arena, the Matildas, Portrait Artist of the Year, Costa Georgiadis, Kaylene Whiskey, John Brack and Noel McKenna.

William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.

April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.

In association with the Glossy 2 exhibition, eight year 10,11 and 12 students spent two days transforming themselves into a variety of alter-egos in the first ever 8x10 Glossy Photo Shoot Workshop.

Karen Vickery delights in a thespian thread of the Australian yarn.

Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.

John Elliott talks about his photographic portrait practice, including his iconic image of Slim Dusty arm-in-arm with Dame Edna Everage.