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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Portrait 74

In this issue:

  • Jacqueline Maley talks to Tina Arena and Georges Antoni about the Gallery’s new commissioned portrait of the Australian music icon.

  • Sarah Oakes shares the Gallery’s most ambitious portrait in 25 years, Angela Tiatia’s moving image work of the CommBank Matildas.

  • Rachel Hopkins goes behind the scenes of the new ABC competition series Portrait Artist of the Year.

  • Artist Rob McHaffie talks about his commissioned portrait of gardening guru Costa Georgiadis.

  • April Phillips delves into the wonderful world of Yankunytjatjara artist Kaylene Whiskey.

  • Isobel Parker Philip and Emma Kindred tease out the parallels between artists John Brack and Noel McKenna.

Plus find out what’s happening at the Portrait Gallery, from exhibitions here and on the road to new commissions and acquisitions. And lots more!

Articles from this issue will be published online when Portrait 75 is on sale. Until then, you can purchase Portrait 74 online from The Curatoreum or join our Circle of Friends and we'll send you a copy for free!

Related information

Portrait 71
Portrait 71
Portrait 71
Portrait 71

Portrait magazine

Publications

Portrait is the preeminent journal of Australian and international portraiture.

Portrait 73

Glynis Traill-Nash explores a new Romance Was Born commission, Emma Kindred looks at Vincent Namatjira, and Rebecca Blake profiles NPPP finalist Gerwyn Davies.
Portrait 72
Portrait 72
Portrait 72
Portrait 72

Portrait 72

Thom Roberts reveals the stories behind some of his portraits, Rebecca Harkins-Cross on Carol Jerrems, and Daniel Browning reflects on Tracey Moffatt’s 1986 series Some lads.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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